毒美人正片
Così dolce... così perversa / So Sweet... So Perverse / Si douces, si perverses / 甜蜜的邪恶
- 卡罗尔·贝克让-路易·特兰蒂尼昂艾丽卡·布兰克霍斯特·弗兰克赫尔佳·丽列ErmelindaDeFelice
意大利,法国,西德
意大利语
2025-03-09 13:04:27
1969
1969-10-31
这部电影(不要将其与卡罗尔·贝克的另一部作品《吻我,杀了我》又名《巴巴·亚吉——女巫》混淆)是翁贝托·伦齐继他开创性的经典作品《偏执狂》之后的又一部作品。它与达里奥·阿金图的《水晶羽毛鸟》(这部电影开启了意大利 gialli 的洪流)同年上映,由马蒂诺兄弟制作,他们后来制作了许多有趣的 giallo 电影(通常以尤金尼奥·马蒂诺的迷人情妇埃德维格·费内克为主角)。这部电影由卡罗尔·贝克主演,她在这部电影中扮演的角色与她在《偏执狂》中扮演的天真受害者完全相反,展示了她的演技,这部电影还邀请了两位优秀的欧洲本土演员——让·路易·特兰蒂尼昂和美丽的埃里卡·布兰克。剧本写得出奇的好,充满了悬念和真正的惊喜。这是法国经典电影《魔鬼》的巧妙改编,其中有一位颓废的上流社会丈夫(特里提尼昂)、妻子(布兰克)和情妇(贝克),他们互相欺骗、背叛。它巧妙地利用了观众对早期电影的意识,然后又加入了一个意想不到的转折点。这部电影似乎也拍得非常好。(很难相信多年后伦齐会拍出像《食人族费罗克斯》这样令人作呕、拙劣的食人电影,或者像《黑暗中的搭车人》这样拙劣的美国恐怖电影)。然而,我说“似乎”,是因为这部电影只在第二代或第三代希腊录像带上发行,这些录像带不仅经过了平移和扫描,而且平移和扫描非常糟糕,以至于角色经常在屏幕的一半之外。欣赏这部电影就像欣赏一幅美丽的画作,但两面都被剪掉了,上面覆盖着非常模糊的玻璃纸(还有刻印的希腊语字幕)。如果伦齐的烂片,如《Ferox》、《Hitcher》,甚至上帝保佑我们大家的《Eaten Alive》,都能获得明星 DVD 待遇,为什么《Paranoia》或这部小珍品不能呢?哦,但我差点忘了——尽管片名如此,但这里并没有太多的反常之处。贝克在《Paranoia》中有更多裸露场景。有一些与布兰克相关的裸露镜头(尽管在我看来,你永远不会厌倦),但不幸的是,他们两人之间的女同性恋关系只是暗示。当然,它可能只是被剪掉了。。。This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .
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